War is the reciprocal and violent application
of force between hostile political entities aimed at
bringing about a desired political end-state via armed
conflict. In his seminal work,
On War,
Carl Von Clausewitz calls war the "continuation of
political intercourse, carried on with other means."[1]
War is an interaction in which two or more militaries
have a “struggle of wills”.[2]
When qualified as a
civil war, it is a dispute inherent to a given
society, and its nature is in the conflict over modes of
governance rather than
sovereignty. War is not considered to be the same as
mere
occupation,
murder or
genocide because of the reciprocal nature of the
violent struggle, and the
organized nature of the units involved.
War is also a cultural entity, and its practice is
not linked to any single type of political organisation
or society. Rather, as discussed by
John Keegan in his “History Of Warfare”, war is a
universal phenomenon whose form and scope is defined by
the society that wages it.
[3]
The conduct of war extends along a continuum, from the
almost universal
tribal warfare that began well before recorded human
history, to wars between
city states,
nations, or
empires. A group of combatants and their support is
called an
army on land, a
navy at sea, and
air force in the air. Wars may be prosecuted
simultaneously in one or more different
theatres. Within each theatre, there may be one or
more consecutive
military campaigns. A military campaign includes not
only fighting but also intelligence, troop movements,
supplies,
propaganda, and other components. Continuous
conflict is traditionally called a
battle, although this terminology is not always fed
to conflicts involving aircraft, missiles or bombs
alone, in the absence of ground troops or naval forces.
War is not limited to the
human species, as
ants engage in massive intra-species conflicts which
might be termed warfare. It is theorized that other
species also engage in similar behavior, although this
is not well documented.
[4][5][6]
Some believe war has always been with us; others
stress the lack of clear evidence that war is not in our
prehistoric past, and the fact that many peaceful,
non-military societies have and still do exist.
Originally, war likely consisted of small-scale raiding.
Since the rise of the state some 5000 years ago,
military activity has occurred over much of the globe.
The advent of gunpowder and the acceleration of
technological advances led to modern warfare.
Since the close of the
Vietnam War, the ideas expounded by the Prussian
military theorist Carl von Clausewitz (1780-1831) have
come to thoroughly permeate American military writing,
doctrinal, theoretical, and historical. His book
On War, first published (as
Vom Kriege) in 1832, was adopted as a key
text at the Naval War College in 1976, the Air War
College in 1978, the Army War College in 1981. It has
always been central at the U.S. Army's School for
Advanced Military Studies at Leavenworth (founded in
1983). The U.S. Marine Corps's brilliant little
philosophical field manual
FMFM 1: Warfighting (1989) is essentially a
distillation of On War, and the newer Marine
Corps Doctrinal Publications (MCDPs,
c.1997) are equally reflective of Clausewitz's basic
concepts.*1
This is not the first time Clausewitz has been in
fashion. Indeed, On War has been the bible of
many thoughtful soldiers ever since Field Marshal
Helmuth von Moltke attributed to its guidance his
stunning victories in the wars of German unification
(1864, 1866, 1870-71). Nor is it the first time that
individual American soldiers and military
thinkers have been attracted by his ideas: George
Patton, Albert Wedemeyer, and—especially—Dwight
Eisenhower were intensely interested in what he had to
say.
It is, however, the first time that the American
armed forces as institutions have turned to
Clausewitz. While the philosopher had insisted that war
was "simply the expression of politics by other means,"
the traditional attitude of American soldiers had been
that "politics and strategy are radically and
fundamentally things apart. Strategy begins where
politics end. All that soldiers ask is that once the
policy is settled, strategy and command shall be
regarded as being in a sphere apart from politics."*2
The sudden acceptability of Clausewitz in the wake of
Vietnam is not difficult to account for, for among the
major military theorists only Clausewitz seriously
struggled with the sort of dilemma that American
military leaders faced in the aftermath of their defeat.
Clearly, in what had come to be called in scathing terms
a "political war," the political and military components
of the American war effort had come unstuck. It ran
against the grain of America's military men to criticize
elected civilian leaders, but it was just as difficult
to take the blame upon themselves. Clausewitz's analysis
could not have been more relevant:
The more powerful and inspiring the motives for
war,... the more closely will the military aims and
the political objects of war coincide, and the more
military and less political will war appear to be.
On the other hand, the less intense the motives, the
less will the military element's natural tendency to
violence coincide with political directives. As a
result, war will be driven further from its natural
course, the political object will be more and more
at variance with the aim of ideal war, and the
conflict will seem increasingly political in
character.*3
When people talk, as they often do, about
harmful political influence on the management of
war, they are not really saying what they mean.
Their quarrel should be with the policy itself, not
with its influence.
Vom Kriege (IPA: [fɔm
ˈkʁiːgə]) is a book on
war and
military strategy by
Prussian general
Carl von Clausewitz, written mostly after the
Napoleonic wars, between 1816 and 1830, and
published posthumously by his wife in 1832. It has been
translated into
English several times as On War. On
War is actually an unfinished work; Clausewitz had
set about revising his accumulated manuscripts in 1827,
but did not live to finish the task. His wife eventually
compiled all the work and the final two chapters
Clausewitz never finished.
On War is one of the first books on modern
military strategy. This is mainly due to Clausewitz'
integration of politics and social and economic issues
as some of the most important factors in deciding the
outcomes of a war. It is one of the most important
treatises on strategy ever written, and is prescribed at
various
military academies to this day.
Carl von Clausewitz was a
Prussian officer among those baffled by how the
armies of the
French Revolution and
Napoleon had changed the nature of war through their
ability to motivate the populace and thus unleash war on
a greater scale than had previously been the case in
Europe. Clausewitz was well educated and had a strong
interest in art, science, and education, but he was a
professional soldier who spent a considerable part of
his life fighting against Napoleon. There is no doubt
that the insights he gained from his experiences,
combined with a solid grasp of European history,
provided much of the raw material for the book. On
War represents the compilation of his most cogent
observations.
Note: Clausewitz states that Napoleon's tactics were
not revolutionary at all and that Napoleonic Warfare did
not change anything greatly in military history. The
technology of weaponry for the most part remained
static, and new strategies weren't developed, but rather
Napoleon refurbished old ones, mixing them into one
grand strategy.
The book contains a wealth of historical examples
used to illustrate its various concepts.
Frederick II of Prussia (the Great) figures
prominently for having made very efficient use of the
limited forces at his disposal.
Napoleon also is a central figure.
Among many strands of thought, three stand out as
essential to Clausewitz' concept:
War must never be seen as a purpose to itself,
but as a means of physically forcing one's will on
an opponent ("War is not merely a political act, but
also a real political instrument, a continuation of
political commerce, a carrying out of the same by
other means."[1]).
The military objectives in war that support
one's political objectives fall into two broad
types: "war to achieve limited aims" and war to
"disarm” the enemy: “to render [him] politically
helpless or militarily impotent."
The course of war will tend to favor the party
employing more force and resources (a notion
extended by Germany's leaders in World War One into
"total war"—the pursuit of complete military victory
regardless of the political consequences).
Military strategy is a
national defence policy implemented by
military organisations to pursue desired
strategic goals.[1]
Derived from the
Greek
strategos, strategy when it appeared in use
during the 18th century[2],
was seen in its narrow sense as the "art of the
general"[3],
'the art of arrangement' of troops.[4]
Military strategy deals with the planning and conduct of
campaigns, the movement and disposition of forces, and
the
deception of the
enemy. The father of modern strategic study,
Carl von Clausewitz, defined military strategy as
"the employment of battles to gain the end of war."
Liddell Hart's definition put less emphasis on
battles, defining strategy as "the art of distributing
and applying military means to fulfil the ends of
policy" Hence, both gave the pre-eminence to political
aims over military goals, ensuring
civilian control of the military.
"You must not fight too often with one enemy,
or you will teach him all your art of war." –
Napoleon Bonaparte
Military strategy is the plan and execution of
the contest between very large groups of armed
adversaries. It involves each opponent's diplomatic,
informational, military, and economic resources wielded
against the other's resources to gain supremacy or
reduce the opponent's will to fight. It is a principle
tool to secure the
national interest. A contemporary military strategy
is developed via
military science.
[5]
It is as old as
society itself. It is a subdiscipline of
warfare and of
foreign policy. In comparison,
grand strategy is that strategy of the largest of
organizations which are currently the
nation state,
confederation, or international
alliances. Military strategy has its origins before
the
Battle of the Ten Kings and will endure through the
space age. It is larger in perspective than
military tactics which is the disposition and
maneuver of units on a particular sea or battlefield.[6]
Military strategy in the 19th century was still
viewed as one of a trivium of "arts" or "sciences" that
govern the conduct of warfare; the others being
tactics, the execution of plans and manœuvering of
forces in battle, and
logistics, the maintenance of an army. The view had
prevailed since the Roman times, and the borderline
between strategy and tactics at this time was blurred,
and sometimes categorization of a decision is a matter
of almost personal opinion.
Carnot, during the
French Revolutionary Wars thought it simply involved
concentration of troops.[7]
The Battle of Siffin, illustration from a
19th century manuscript by
Muhammad Rafi Bazil.
Strategy and
tactics are closely related and exist on the same
continuum.
Engraved "War" and "1861," this shipwreck coin pendent is a simple, yet profound record of the beginning of the American war that pitted brother against brother.This lustrous .999 silver coin is a replica of the hand-engraved 1858-O Liberty Seated United States Half Dollar retrieved from the shipwreck of a side-wheeled steamer that played a historic role in the Civil War. Odyssey recovered the original one-of-a-kind coin in 2003 during the archaeological excavation of the SS Republic shipwreck, which was bound for New Orleans loaded with gold and silver coins when it was sunk by a hurricane off the coast Georgia in 1865. Every line, every ridge of the engraved artifact has been faithfully reproduced in this stunning replica - which has been hand set in a sterling silver bezel for wear.
Price: 100.00
This dazzling 2 Reale replica pendant was inspired by a rough-hewn silver "cob" coin recovered by Odyssey Marine Exploration's founders during the first deep-ocean archeological excavation of a colonial Spanish shipwreck.Research suggests the sunken ship discovered near Florida's Dry Tortugas was part of the 1622 "Tierra Firma" fleet bound for Spain with New World silver reales, also known as "cobs." These irregular-shaped pieces of silver were shaved from colonial silver bars, hand-hammered and crudely stamped with the Spanish seal and an assayer's mark. Like the recovered 2 Reale it replicates, this coin is roughly the same size as today's nickel. Cast in fine .925 sterling silver and framed in 14-karat yellow gold, this striking piece of jewelry makes a timeless gift.
Price: 155.00
This dazzling 2 Reale replica pendant combines the romance of the New World with the beauty of the sea. A yellow 14-karat gold dolphin frames this replica of a rough-hewn silver "cob" coin. Odyssey Marine Exploration's founders discovered the original coin during the first deep-ocean archeological excavation of a colonial Spanish shipwreck. Research suggests the sunken ship discovered near Florida's Dry Tortugas was part of the 1622 "Tierra Firma" fleet bound for Spain with New World silver reales, also known as "cobs." These irregular-shaped pieces of silver were shaved from colonial silver bars, hand-hammered and crudely stamped with the Spanish seal and an assayer's mark. Like the recovered 2 Reale it replicates, this coin is roughly the same size as today's nickel. Cast in fine .925 sterling silver and bordered with a 14-karat yellow gold dolphin and band, this striking piece of jewelry makes a timeless gift.
Price: 155.00
These dazzling 1 Reale replica earrings were inspired by an asymmetrical silver "cob" coin recovered by Odyssey Marine Exploration's founders during the first deep-ocean archeological excavation of a colonial Spanish shipwreck.Research suggests the sunken ship discovered near Florida's Dry Tortugas was part of the 1622 "Tierra Firma" fleet bound for Spain with New World silver reales, also known as "cobs." These irregular-shaped pieces of silver were shaved from colonial silver bars, hand-hammered and crudely stamped with the Spanish seal and an assayer's mark. Like the original 1 Reale it replicates, the coin used in these earrings is slightly smaller than today's dime. Each earring is cast in fine .925 sterling silver, framed in 14-karat yellow gold and hung from 14-karat gold posts. This striking piece of jewelry makes a timeless gift.
Price: 130.00
This dazzling 1 Reale replica bracelet was inspired by an asymmetrical silver "cob" coin recovered by Odyssey Marine Exploration's founders during the first deep-ocean archeological excavation of a colonial Spanish shipwreck.Research suggests the sunken ship discovered near Florida's Dry Tortugas was part of the 1622 "Tierra Firma" fleet bound for Spain with New World silver reales, also known as "cobs." These irregular-shaped pieces of silver were shaved from colonial silver bars, hand-hammered and crudely stamped with the Spanish seal and an assayer's mark. Like the recovered 1 Reale they replicate, the eight coins used in this bracelet are slightly smaller than today's dime. Cast in fine .925 sterling silver, framed in 14-karat gold and fastened with a lobster claw clasp, this striking piece of jewelry makes a timeless gift.
Price: 400.00
This beautiful 2 Reale replica bezel-set ladies' ring was inspired by a rough-hewn silver "cob" coin recovered by Odyssey Marine Exploration's founders during the first deep-ocean archeological excavation of a colonial Spanish shipwreck.Research suggests the sunken ship discovered near Florida's Dry Tortugas was part of the 1622 "Tierra Firma" fleet bound for Spain with New World silver reales, also known as "cobs." These irregular-shaped pieces of silver were shaved from colonial silver bars, hand-hammered and crudely stamped with the Spanish seal and an assayer's mark. Like the 2 reale that was masterfully replicated for this ring, this coin is roughly the same size as today's nickel. Cast from fine, 925 sterling silver, wrapped in a 14-karat rope bezel and set in a 14-karat band with a tapered lace design, this striking piece of jewelry makes a timeless gift. Ring Size: 7
Price: 230.00
This dazzling 4 Reale replica pendant was inspired by a rough-hewn silver "cob" coin recovered by Odyssey Marine Exploration's founders during the first deep-ocean archeological excavation of a colonial Spanish shipwreck.Research suggests the sunken ship discovered near Florida's Dry Tortugas was part of the 1622 "Tierra Firma" fleet bound for Spain with New World silver reales, also known as "cobs." These irregular-shaped pieces of silver were shaved from colonial silver bars, hand-hammered and crudely stamped with the Spanish seal and an assayer's mark. Like the recovered 4 Reale it replicates, this coin is roughly the same size as today's quarter. Cast in fine .925 sterling silver and framed in 14-karat yellow gold, this striking piece of jewelry makes a timeless gift.
Price: 225.00
This dazzling 8 Reale replica pendant was inspired by a rough-hewn silver "cob" coin recovered by Odyssey Marine Exploration's founders during the first deep-ocean archeological excavation of a colonial Spanish shipwreck.Research suggests the sunken ship discovered near Florida's Dry Tortugas was part of the 1622 "Tierra Firma" fleet bound for Spain with New World silver reales, also known as "cobs." These irregular-shaped pieces of silver were shaved from colonial silver bars, hand-hammered and crudely stamped with the Spanish seal and an assayer's mark. Like the recovered 8 Reale it replicates, this coin is roughly the same size as today's silver dollar. Cast in fine .925 sterling silver and framed in 14-karat yellow gold, this striking piece of jewelry makes a timeless gift.
Price: 260.00
Wear this golden treasure inspired by an authentic medallion recovered from a Spanish colonial shipwreck discovered near the Dry Tortugas. This solid 14K gold medallion is molded from a cast of the original brass artifact and shows the lettering and images: "Santa Cateri," surrounding a figure believed to be St. Catherine with a sword and a crown. The other side bears the image of additional holy figures and letters, including "ROMA".This exquisite replica of the religious medallion recovered during the archaeological excavation of the 17th Century "Tortugas Shipwreck" is cast from solid 14K gold and measures approximately 1" high and 5/8" wide.
Price: 250.00
Authentic shipwreck artifacts from the Tortugas Shipwreck, archaeologically recovered after more than 350 years! This 14K gold pendant made from and inspired by items recovered from a Spanish colonial shipwreck, is a treasure for any jewelry lover. Its shape depicts the classic style of one of the many olive jars Odyssey discovered on the "Tortugas Shipwreck" site off the coast of Florida and is beautifully accented by one of the actual pearls recovered from the shipwreck.
Price: 350.00
This tiny, glass bucket with matching lid is a museum-quality replica of the few originals that Odyssey Marine Exploration recovered from the SS Republic shipwreck.The kettle-shaped containers were each molded with a bucket handle at its side which is an unusual detail for a piece dating as early as 1865. Less than a dozen of these irreplaceable artifacts were recovered. They may have held relish served on the SS Republic's passenger tables or perhaps ladies' face cream. Each replica is artfully cast in glass capturing the exact details and approximate size of the recovered artifacts, which remain in Odyssey's permanent collection. Clear glass, 3 inches high.
Price: 12.00
This tumbler replica was inspired by the distinctive Ashburton-patterned glasses that Odyssey Marine Exploration recovered from the SS Republic shipwreck.Research suggests that the few original tumblers found at the site were produced by the New England Glass Company, the first company to introduce this pressed glass design. The Ashburton pattern is one of the earliest designs available in sets of matching glassware and was made by many firms over a 40-year period. However, the samples recovered from the SS Republic exhibit a ground, polished base -- an extra step in the glassmaking process and characteristic of the New England Glass Company. Odyssey commissioned a replica of this elegant glass so that you can enjoy its enduring symbol of survival in your home. Each replica is artfully cast in glass and is approximately the same size as the recovered artifact, which remains in Odyssey's permanent collection. Clear, fluted glass, approximated 4 inches high.
Price: 10.00
During the archaeological excavation of the SS Republic shipwreck, the Odyssey team discovered a small collection of delicate porcelain angels. They survived a hurricane and a shipwreck, and had endured for more than a century 1700 feet below the surface of the raging Atlantic.By some incredible miracle the passengers and crew all escaped the sinking Republic. Some say there is great power in trusting one's angels. Was this such a case? The amazing survival of these porcelain angels inspired authentic museum-quality replicas that can watch over you as they did the survivors of the historic shipwreck. These replicas are the exact size as the originals, artfully cast in resin and hand painted in exact detail of the recovered originals (which remain in Odyssey's permanent collection).A handful of these kneeling angels were recovered, and this replica is modeled after the most vibrant original. 2 inches high
Price: 12.00
During the archaeological excavation of the SS Republic shipwreck, the Odyssey team discovered a small collection of delicate porcelain angels. They survived a hurricane and a shipwreck, and had endured for more than a century 1700 feet below the surface of the raging Atlantic.By some incredible miracle the passengers and crew all escaped the sinking Republic. Some say there is great power in trusting one's angels. Was this such a case? For more on the story of these shipwreck angels, The amazing survival of these porcelain angels inspired authentic museum-quality replicas that can watch over you as they did the survivors of the historic shipwreck. These replicas are the exact size as the originals, artfully cast in resin and hand painted in exact detail of the recovered originals (which remain in Odyssey's permanent collection).With a small basin at its feet, the angel is designed to carry holy water used for a religious blessing. 2 inches high
Price: 12.00
During the archaeological excavation of the SS Republic shipwreck, the Odyssey team discovered a small collection of delicate porcelain angels. They survived a hurricane and a shipwreck, and had endured for more than a century 1700 feet below the surface of the raging Atlantic.By some incredible miracle the passengers and crew all escaped the sinking Republic. Some say there is great power in trusting one's angels. Was this such a case? One of the recovered porcelain angel fonts inspired these authentic museum-quality replicas with an added brass ring and festive red ribbon so that they can hang from your tree. The replicas are artfully cast in resin and hand-painted in exact detail of the recovered original (which remains in Odyssey's permanent collection).Let this symbol of survival watch over you as it did the survivors ofthe historic SS Republic shipwreck.With a small basin at its feet, the original angel artifact was designed to carry holy water used for a religious blessing. Approximately 2 inches high.With a small basin at its feet, the angel is designed to carry holy water used for a religious blessing. 2 inches high.
Price: 12.00
This museum-quality replica was inspired by the only porcelain farm girl figurine that Odyssey Marine Exploration recovered from the SS Republic shipwreck. Having endured a violent hurricane, a shipwreck and 138 years beneath the forceful Atlantic Gulf Stream, the artifact's miraculous endurance is as awe-inspiring as her splendor. Richly detailed, the maiden carries a basket of fruit under her arm and wears a meticulously-crafted dress. Odyssey commissioned a replica of this delicate treasure so that you can enjoy this exquisite symbol of survival in your home. Each replica is artfully cast in resin, hand-painted in exact detail of the recovered figure, and is approximately the same size as the original, which remains in Odyssey's permanent collection. Approximately 3 inches high.
Price: 15.00
Among the artifacts recovered during the archaeological excavation of the SS Republic was a small painted vase with budding flower motif. Still exhibiting its original color and luminous glaze, the vase remains in Odyssey's permanent SS Republic artifact collection. Now you can enjoy this beautiful piece in your own home with this museum-quality replica and symbol of long-lasting beauty. Measuring approximately 4 inches high, the vase was artfully cast of poly resin and hand-painted as the original. This charming vase makes a perfect gift for friends, family and yourself.
Price: 15.00
During the archaeological excavation of the SS Republic shipwreck, the Odyssey team discovered a small collection of delicate porcelain angels. They survived a hurricane and a shipwreck, and had endured for more than a century 1700 feet below the surface of the raging Atlantic.By some incredible miracle the passengers and crew all escaped the sinking Republic. Some say there is great power in trusting one's angels. Was this such a case? For more on the story of these shipwreck angels, .The amazing survival of these porcelain angels inspired authentic museum-quality replicas that can watch over you as they did the survivors of the historic shipwreck. These replicas are the exact size as the originals, artfully cast in resin and hand painted in exact detail of the recovered originals (which remain in Odyssey's permanent collection). The tallest angel with hands in silent prayer. 4 inches high.
Price: 15.00