War is the reciprocal and violent application
of force between hostile political entities aimed at
bringing about a desired political end-state via armed
conflict. In his seminal work,
On War,
Carl Von Clausewitz calls war the "continuation of
political intercourse, carried on with other means."[1]
War is an interaction in which two or more militaries
have a “struggle of wills”.[2]
When qualified as a
civil war, it is a dispute inherent to a given
society, and its nature is in the conflict over modes of
governance rather than
sovereignty. War is not considered to be the same as
mere
occupation,
murder or
genocide because of the reciprocal nature of the
violent struggle, and the
organized nature of the units involved.
War is also a cultural entity, and its practice is
not linked to any single type of political organisation
or society. Rather, as discussed by
John Keegan in his “History Of Warfare”, war is a
universal phenomenon whose form and scope is defined by
the society that wages it.
[3]
The conduct of war extends along a continuum, from the
almost universal
tribal warfare that began well before recorded human
history, to wars between
city states,
nations, or
empires. A group of combatants and their support is
called an
army on land, a
navy at sea, and
air force in the air. Wars may be prosecuted
simultaneously in one or more different
theatres. Within each theatre, there may be one or
more consecutive
military campaigns. A military campaign includes not
only fighting but also intelligence, troop movements,
supplies,
propaganda, and other components. Continuous
conflict is traditionally called a
battle, although this terminology is not always fed
to conflicts involving aircraft, missiles or bombs
alone, in the absence of ground troops or naval forces.
War is not limited to the
human species, as
ants engage in massive intra-species conflicts which
might be termed warfare. It is theorized that other
species also engage in similar behavior, although this
is not well documented.
[4][5][6]
Some believe war has always been with us; others
stress the lack of clear evidence that war is not in our
prehistoric past, and the fact that many peaceful,
non-military societies have and still do exist.
Originally, war likely consisted of small-scale raiding.
Since the rise of the state some 5000 years ago,
military activity has occurred over much of the globe.
The advent of gunpowder and the acceleration of
technological advances led to modern warfare.
Since the close of the
Vietnam War, the ideas expounded by the Prussian
military theorist Carl von Clausewitz (1780-1831) have
come to thoroughly permeate American military writing,
doctrinal, theoretical, and historical. His book
On War, first published (as
Vom Kriege) in 1832, was adopted as a key
text at the Naval War College in 1976, the Air War
College in 1978, the Army War College in 1981. It has
always been central at the U.S. Army's School for
Advanced Military Studies at Leavenworth (founded in
1983). The U.S. Marine Corps's brilliant little
philosophical field manual
FMFM 1: Warfighting (1989) is essentially a
distillation of On War, and the newer Marine
Corps Doctrinal Publications (MCDPs,
c.1997) are equally reflective of Clausewitz's basic
concepts.*1
This is not the first time Clausewitz has been in
fashion. Indeed, On War has been the bible of
many thoughtful soldiers ever since Field Marshal
Helmuth von Moltke attributed to its guidance his
stunning victories in the wars of German unification
(1864, 1866, 1870-71). Nor is it the first time that
individual American soldiers and military
thinkers have been attracted by his ideas: George
Patton, Albert Wedemeyer, and—especially—Dwight
Eisenhower were intensely interested in what he had to
say.
It is, however, the first time that the American
armed forces as institutions have turned to
Clausewitz. While the philosopher had insisted that war
was "simply the expression of politics by other means,"
the traditional attitude of American soldiers had been
that "politics and strategy are radically and
fundamentally things apart. Strategy begins where
politics end. All that soldiers ask is that once the
policy is settled, strategy and command shall be
regarded as being in a sphere apart from politics."*2
The sudden acceptability of Clausewitz in the wake of
Vietnam is not difficult to account for, for among the
major military theorists only Clausewitz seriously
struggled with the sort of dilemma that American
military leaders faced in the aftermath of their defeat.
Clearly, in what had come to be called in scathing terms
a "political war," the political and military components
of the American war effort had come unstuck. It ran
against the grain of America's military men to criticize
elected civilian leaders, but it was just as difficult
to take the blame upon themselves. Clausewitz's analysis
could not have been more relevant:
The more powerful and inspiring the motives for
war,... the more closely will the military aims and
the political objects of war coincide, and the more
military and less political will war appear to be.
On the other hand, the less intense the motives, the
less will the military element's natural tendency to
violence coincide with political directives. As a
result, war will be driven further from its natural
course, the political object will be more and more
at variance with the aim of ideal war, and the
conflict will seem increasingly political in
character.*3
When people talk, as they often do, about
harmful political influence on the management of
war, they are not really saying what they mean.
Their quarrel should be with the policy itself, not
with its influence.
Vom Kriege (IPA: [fɔm
ˈkʁiːgə]) is a book on
war and
military strategy by
Prussian general
Carl von Clausewitz, written mostly after the
Napoleonic wars, between 1816 and 1830, and
published posthumously by his wife in 1832. It has been
translated into
English several times as On War. On
War is actually an unfinished work; Clausewitz had
set about revising his accumulated manuscripts in 1827,
but did not live to finish the task. His wife eventually
compiled all the work and the final two chapters
Clausewitz never finished.
On War is one of the first books on modern
military strategy. This is mainly due to Clausewitz'
integration of politics and social and economic issues
as some of the most important factors in deciding the
outcomes of a war. It is one of the most important
treatises on strategy ever written, and is prescribed at
various
military academies to this day.
Carl von Clausewitz was a
Prussian officer among those baffled by how the
armies of the
French Revolution and
Napoleon had changed the nature of war through their
ability to motivate the populace and thus unleash war on
a greater scale than had previously been the case in
Europe. Clausewitz was well educated and had a strong
interest in art, science, and education, but he was a
professional soldier who spent a considerable part of
his life fighting against Napoleon. There is no doubt
that the insights he gained from his experiences,
combined with a solid grasp of European history,
provided much of the raw material for the book. On
War represents the compilation of his most cogent
observations.
Note: Clausewitz states that Napoleon's tactics were
not revolutionary at all and that Napoleonic Warfare did
not change anything greatly in military history. The
technology of weaponry for the most part remained
static, and new strategies weren't developed, but rather
Napoleon refurbished old ones, mixing them into one
grand strategy.
The book contains a wealth of historical examples
used to illustrate its various concepts.
Frederick II of Prussia (the Great) figures
prominently for having made very efficient use of the
limited forces at his disposal.
Napoleon also is a central figure.
Among many strands of thought, three stand out as
essential to Clausewitz' concept:
War must never be seen as a purpose to itself,
but as a means of physically forcing one's will on
an opponent ("War is not merely a political act, but
also a real political instrument, a continuation of
political commerce, a carrying out of the same by
other means."[1]).
The military objectives in war that support
one's political objectives fall into two broad
types: "war to achieve limited aims" and war to
"disarm” the enemy: “to render [him] politically
helpless or militarily impotent."
The course of war will tend to favor the party
employing more force and resources (a notion
extended by Germany's leaders in World War One into
"total war"—the pursuit of complete military victory
regardless of the political consequences).
Military strategy is a
national defence policy implemented by
military organisations to pursue desired
strategic goals.[1]
Derived from the
Greek
strategos, strategy when it appeared in use
during the 18th century[2],
was seen in its narrow sense as the "art of the
general"[3],
'the art of arrangement' of troops.[4]
Military strategy deals with the planning and conduct of
campaigns, the movement and disposition of forces, and
the
deception of the
enemy. The father of modern strategic study,
Carl von Clausewitz, defined military strategy as
"the employment of battles to gain the end of war."
Liddell Hart's definition put less emphasis on
battles, defining strategy as "the art of distributing
and applying military means to fulfil the ends of
policy" Hence, both gave the pre-eminence to political
aims over military goals, ensuring
civilian control of the military.
"You must not fight too often with one enemy,
or you will teach him all your art of war." –
Napoleon Bonaparte
Military strategy is the plan and execution of
the contest between very large groups of armed
adversaries. It involves each opponent's diplomatic,
informational, military, and economic resources wielded
against the other's resources to gain supremacy or
reduce the opponent's will to fight. It is a principle
tool to secure the
national interest. A contemporary military strategy
is developed via
military science.
[5]
It is as old as
society itself. It is a subdiscipline of
warfare and of
foreign policy. In comparison,
grand strategy is that strategy of the largest of
organizations which are currently the
nation state,
confederation, or international
alliances. Military strategy has its origins before
the
Battle of the Ten Kings and will endure through the
space age. It is larger in perspective than
military tactics which is the disposition and
maneuver of units on a particular sea or battlefield.[6]
Military strategy in the 19th century was still
viewed as one of a trivium of "arts" or "sciences" that
govern the conduct of warfare; the others being
tactics, the execution of plans and manœuvering of
forces in battle, and
logistics, the maintenance of an army. The view had
prevailed since the Roman times, and the borderline
between strategy and tactics at this time was blurred,
and sometimes categorization of a decision is a matter
of almost personal opinion.
Carnot, during the
French Revolutionary Wars thought it simply involved
concentration of troops.[7]
The Battle of Siffin, illustration from a
19th century manuscript by
Muhammad Rafi Bazil.
Strategy and
tactics are closely related and exist on the same
continuum.
The Dancing Woman Figurine recovered from the SS Republic shipwreck site, was found in close proximity to its partner, a Dancing Man Figurine. The theme portrayed by the complementary pair is reminiscent of the 19th century neo-rococo art style, which placed an emphasis on the carefree and romantic lifestyle of the aristocracy. Only one set of these porcelain figurines was found on the site, suggesting that the pieces were not cargo, but were part of a passenger's personal treasure. The original figurines remain in Odyssey's permanent SS Republic artifact collection. This museum quality replica was artfully cast in poly resin and hand painted to match the original artifact as it appears after spending nearly 140 years at the bottom of the ocean. Approximately 4 3/4 inches high.
Price: 20.00
The Dancing Man Figurine recovered from the SS Republic shipwreck site, was found in close proximity to its partner, a Dancing Woman Figurine. The theme portrayed by the complementary pair is reminiscent of the 19th century neo-rococo art style, which placed an emphasis on the carefree and romantic lifestyle of the aristocracy. Only one set of these porcelain figurines was found on the site, suggesting that the pieces were not cargo but were part of a passenger's personal treasure. The original figurines remain in Odyssey's permanent SS Republic artifact collection. This museum quality replica was artfully cast in poly resin and hand painted to match the original artifact as it appears after spending nearly 140 years at the bottom of the ocean. Approximately 4 3/4 inches high.
Price: 20.00
This small ceramic tub masterfully replicates a L.T. Piver pot found on the SS Republic shipwreck. The original ceramic pot, now empty after nearly 140 years beneath the Atlantic, once contained a Piver of Paris' beauty product. Piver's fragrances, cosmetics and toiletries were popular with the most distinguished 19th-century Europeans, including Napoleon Bonaparte's family. Painted and sized to match the original, this darling replica looks great on a bookshelf, curio cabinet or even on a desktop as a paperclip holder. Size 3 inches high, Made of poly-resin.
Price: 15.00
This crucifix candlestick replica was inspired by one of the green milk glass originals that Odyssey Marine Exploration recovered from the SS Republic shipwreck. Only a small number of these delicate iconic candlesticks survived the 1865 hurricane, shipwreck and the 1,700-foot descent to the bottom of the Atlantic. Odyssey's remotely operated vehicle, Zeus, picked up the fragile candlesticks one-by-one during the archeological excavation. The originals, submerged for 138 years, have varied markings, the result of their exposure to the deep ocean environment. Odyssey commissioned museum-quality replicas of the green milk glass candlestick with the most interesting appearance. Each replica is artfully cast in resin capturing the exact details and approximate size of the recovered artifact, which remains in Odyssey's permanent collection. Not to be used with flammable products. Decorative-use only.Dominant color is jade green, 9.5 inches high.
Price: 25.00
This crucifix candlestick replica was inspired by one of the green milk glass originals that Odyssey Marine Exploration recovered from the SS Republic shipwreck. Only a small number of these delicate iconic candlesticks survived the 1865 hurricane, shipwreck and the 1,700-foot descent to the bottom of the Atlantic. Odyssey's remotely operated vehicle, Zeus, picked up the fragile candlesticks one-by-one during the archeological excavation. The originals, submerged for 138 years, have varied markings, the result of their exposure to the deep ocean environment. Odyssey commissioned museum-quality replicas of the green milk glass candlestick with the most interesting appearance. Each replica is artfully cast in resin capturing the exact details and approximate size of the recovered artifact, which remains in Odyssey's permanent collection. Not to be used with flammable products. Decorative-use only.Dominant color is jade green, 9.5 inches high.
Price: 25.00
Engraved "War" and "1861," this replication is a simple, yet profound record of the beginning of the American war that pitted brother against brother. The original 1858-O Liberty Seated half dollar sank only months after the Civil War's end with a ship that played a historic role in the conflict. Connect with these historic events and the mysterious engraver through a lustrous .999 silver minted replica of this one-of-a-kind coin that was delicately recovered during the archaeological excavation of the SS Republic shipwreck 1,700 feet beneath the Atlantic. Every line, every ridge of the engraved artifact has been faithfully reproduced. Each commemorative is encapsulated in a protective acrylic case by Numismatic Guaranty Corporation and comes in its own velveteen pouch with a fact sheet detailing its fascinating history.
Price: 40.00
Engraved "War" and "1861," this commemorative is a simple, yet profound record of the beginning of the American war that set brother against brother. This is a replication of the hand-engraved 1858-O Liberty Seated half dollar that sank only months after the Civil War's end with a ship that played a historic role in the conflict. Connect with these historic events and the mysterious engraver through a lustrous .999 silver minted replica of this one-of-a-kind coin that was delicately recovered during the archaeological excavation of the SS Republic shipwreck 1,700 feet beneath the Atlantic. Every line, every ridge of the engraved artifact has been faithfully reproduced. Each is encapsulated in a protective acrylic case by Numismatic Guaranty Corporation, and comes with a fact sheet detailing its fascinating history. You'll be proud to display your treasured commemorative in this elegant hardwood display case featuring an engraving of the SS Republic. The package also includes a DVD of the National Geographic one-hour special "Civil War Gold" and an illustrated booklet detailing the history of SS Republic.
Price: 100.00
Priceless treasure, thought lost forever, archaeologically recovered from the SS Republic Shipwreck, nearly 1700 feet below the surface! This clear Lucite box contains one of the pieces of coal intended to fuel the SS Republic's voyage. Odyssey's remotely operated vehicle (ROV), nicknamed Zeus, carefully picked up each piece of coal during the archaeological excavation of the shipwreck site. This tabletop commemorative also contains an embedded description and has low-profile feet allowing it to stand as well as lie flat.
Price: 25.00
Authentic Treasure from the famous and historic SS Republic Shipwreck! This wooden shadowbox contains one of the pieces of coal intended to fuel the SS Republic's voyage. Odyssey's remotely operated vehicle (ROV), nicknamed Zeus, carefully picked up each piece during the archaeological excavation of the shipwreck site.
Price: 100.00
Authentic shipwreck artifacts from the SS Republic Shipwreck, archaeologically recovered after more than 138 years at the bottom of the Atlantic!The umbrella inkstand with decorative fluted panels, also called a "paneled pyramid" was designed to capture the consumer's eye.Inkstands remained on a writing table or desk, so their visual appeal was especially important. When placed in the light, the aquamarine samples, some with hues of green, can display the colors of the rainbow, refracting the sunlight - the result of long exposure to the ocean's saltwater. Most of the umbrella inkstands found among the wreckage were eight-paneled versions in shades of aquamarine though a handful of those recovered were of an uncommon larger version with eight or twelve panels.
Price: 949.95
Authentic Treasure from the famous and historic SS Republic Shipwreck!Dr. J. Hostetter's Stomach Bitters emerged on the market in 1853, sold as a medicinal tonic. Its high alcohol content, tipping the scales at a whopping 47 percent, was promoted as a vital ingredient to preserve its medicinal properties.The production increased when the War Department authorized its distribution to the Union Army. When the fighting was over, the Hostetter appeal remained strong, later losing popularity when its alcohol content was substantially reduced.
Price: 825.00
Authentic Treasure from the famous and historic SS Republic Shipwreck!When the SS Republic sank, mustard was an indispensable enhancement to the 19th century diet, often used to disguise the taste of meat and other foods that had spoiled due to the lack of refrigeration. Mustard was also believed to cure sundry ailments including hysteria, snakebites, and even the bubonic plague. Barrel-shaped bottles with a distinctive ribbed pattern were the prevailing bottle type used for mustard, either dry or prepared. The sizeable cargo of glass mustard barrels recovered from the shipwreck is certain proof that this pungent condiment was a sought-after staple and one that surely would have been valued in post Civil War New Orleans. Click here to learn about STRETCH PAY!
Price: 495.00
Authentic shipwreck artifacts from the SS Republic Shipwreck, archaeologically recovered after more than 138 years at the bottom of the Atlantic!As the 1800s progressed, the short-necked, tall square bottle continued to be produced in a non-tapered form and was used for a wide assortment of products from high-alcohol medicinal bitters to sarsaparilla and schnapps. With its maker's label long gone and lacking any embossed text on its sides, the identity of the bottle is forever uncertain; however, it was likely filled with some brew of bitters or schnapps, so popular in the middle of the 19th century.Most of the Square Spirits Bottles recovered from the SS Republic shipwreck are in varying shades of green, that when illuminated from behind glow with brilliant hues of olive, yellow, grey and blue. Only a very small number of amber colored bottles were recovered. Their exceptional coloring combined with their rarity makes them particularly prized among collectors. Click here to learn about STRETCH PAY!
Price: 1000.00
Authentic shipwreck artifacts from the SS Republic Shipwreck, archaeologically recovered after more than 138 years at the bottom of the Atlantic! Discover authentic shipwreck artifact fragments buried in the sand without leaving your desk! An artist has taken authentic artifact pieces, delicately recovered from the SS Republic shipwreck, and carefully secured them to this hardwood base capturing the drama and romance of deep-ocean exploration for you in this unique table display.. Also included is sand and a museum style acrylic cover to complete the display. Click here to learn about STRETCH PAY!
Price: 300.00
Priceless treasure, thought lost forever, archaeologically recovered from the SS Republic Shipwreck, nearly 1700 feet below the surface! This antique key was recovered from the SS Republic, a dual-wheeled steamer loaded with gold, silver and supplies bound for war-torn New Orleans. Odyssey's remotely operated vehicle, nicknamed Zeus, lifted each one from the shipwreck site during the archeological excavation 1,700 deep. Click here to learn about STRETCH PAY!
Price: 450.00
If brought to auction, the original coin would command over $1,000,000 with no more than 30 examples known to exist! The one recovered from the SS Republic has been hailed as the finest of them all. This hefty 1-ounce replica is an affordable way to hold Civil War-era history in your hand. It honors the legacy - and recovery - of one of the most famous and valuable gold pieces minted by the United States. Layered in 24-karat gold A faithful replica of one of the rarest vintage American gold coins Comes in its own velveteen pouch with a Certificate of Authenticity detailing the fascinating history of this rare commemorative
Price: 29.95
This dramatic decorative plate features a silhouette of the SS Republic at its center and a striking border crafted of colorful antique glass shards carefully recovered from the SS Republic shipwreck site, nearly 1,700 feet deep. Each plate is crafted by hand and is 100% unique. Standing 17 �" in its own wrought iron stand, the plate measures 15" in diameter. Quantities on this item are extremely limited!
Price: 500.00
Four authentic shipwreck beads Replica Tortugas shipwreck coin pendant Beaded silver wire necklace with black cord drop and toggle closure Includes certificate of authenticity You could sail the seven seas and never find jewelry quite like it. This divine necklace flaunts a bounty of beads, from blue and green sea hues to the brown and amber flecks of tortoise beads. However, it is the four genuine shipwreck beads recovered from the western Mediterranean that steal the show. A bead expert has dated them as approximately 18th century Venetian. The look is completed with a silver tone replica coin inspired by those found at a 17th century colonial Spanish shipwreck site near Florida?s Dry Tortugas.
Price: 75.00