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Universal Sword Plaque
Fits most swords. Features a rich dark brown wood finish. Includes mounting hardware with easy to use mounting instructions. Measures 9-1/2" x 9-1/2" x 3/4".
Price: 12.99

Deluxe 2 Tier Table Stand
Deluxe 2 Tier Table Stand constructed of solid wood is finished off with beautiful black lacquer. Proudly display two swords perfectly.
Price: 19.99

2 Tier Wall Mount Stand
Beautiful lacquer finish over solid wood. Perfect to display and highlight your sword in your home or office.
Price: 9.99

3 Tier Table Top Sword Stand
Wood construction with a lacquer finish. Table stand to hold three swords. Measures 13" x 6" x 17-3/4".
Price: 10.99

Deluxe 3 Tier Sword Table Stand
Deluxe 3 Tier Sword Table Stand constructed of solid wood with a beautiful lacquer finish. Display up to three swords. Mix or match your swords.
Price: 29.99

3 Tier Wall Mount Stand
3 Sword Wall Mount Stand. Beautiful lacquer finish over solid wood. Perfect to display and highlight your swords in your home or office.
Price: 14.99

Deluxe Table Top Sword Stand
Deluxe Table Top Sword Stand - large version
Price: 16.99

8 Tier Standing Sword Display
8 Sword Standing Sword Display. Solid wood with black lacquer finish. Hard-to-find large sword displayer for the discriminating collector.
Price: 29.99

8 Tier Wall Mount Stand
8 Sword Wall Mount Display Stand Measures 15-1/2" x 39-7/8". Features solid wood construction with rich lacquered finish.
Price: 24.99

Shogun Stand Black
Black Shogun Sword Stand. Holds one sword. Measures 11-5/8" x 7-3/8" x 24-1/2". Features solid wood construction with rich black lacquered finish.
Price: 9.99

French Cavalry Flintlock Pistol - Non-firing Replica
A non-firing copy of an original French cavalry pistol. Replicates the original in size, weight and appearance, and the parts function much like the original. However, parts cannot be interchanged or the replica made to fire ammunition. French cavalry flintlock pistol pistol, ca. 1800, 13-3/4 inches long.
Price: 59.99

Replica Derringer, Baby Philadelphia
Made by Denix, these ornamental replicas of famous and antique guns each incorporating a firing mechanism which endeavors to simulate the workings of the original piece in every possible way.
A beautiful decorative and unique conversation piece.

Gun Replicas � These replicas are intended for collection, display and decoration only. Although the lock actions on the replica firearms are mechanical functional, these items are completely safe and non-fireable. No federal license is required to buy, sell or posses these replicas

Price: 24.99

English Blunderbuss Flintlock Pistol Replica
Length: 17 inches, Weight: 2.5 lbs. Features wood stock and simulated brass embossed barrel and butt cap. English Blunderbuss Flintlock Pistol. Made by Denix, these ornamental replicas of famous and antique guns each incorporating a firing mechanism which endeavors to simulate the workings of the original piece in every possible way. Construction is generally of high-grade casting alloy, with genuine hardwoods used . Replica Weaponry.com is your leading source of weapons replicas on the www. Our beautiful replica guns, swords, battle axes, daggers and various weapons reproductions are made the the best quality materials.
Price: 36.99

English Flintlock Pistol Reproduction
English flintlock pistol, 18th Century, brass finish 15" long
Price: 34.99

George Washington's Flintlock Pistol Replica
A non-firing copy of a firearm that founding father George Washington owned. Replicates the original in size, weight and appearance, and the parts function much like the original. However, parts cannot be interchanged or the replica made to fire ammunition. George Washingtons flintlock pistol, by Hawkins, London, ca. 1748, 14" long
Price: 62.99

18th Century German Flintlock Pistol Replica
A detailed replica of the flintlock pistol used throughout the Napoleonic Wars featuring wooden stock w/sim gold Nepoleonic "N", metal barrel, wood stock and working flintlock mechanism. Manufactured by the Arsenal at St. Etinne, this classic cavalry flintlock model features full length wood stock, and simulated brass furniture. This 1700s flintlock replica in makes use of brass trimmings, and sports barrel decorations and a handle styled in the shape of a lions head. German flintlock with Lion-head handle, 18th brass handle. KEY FEATURES: Non-fireable Functional lock system Authentic size and styling MEASUREMENTS: BARREL LENGTH: 11? OVERALL LENGTH: 16 1/2? WEIGHT: 1lb 11oz
Price: 41.99

Replica German Flintlock Pistol
Flintlock pistols were so called because the lock uses a flint to strike sparks into the priming pan when the trigger is pulled. A small amount of gunpowder in this pan is ignited, which in turn ignites the main gunpowder charge in the barrel, firing the lead ball. Both the main charge and the ball were loaded from the front, or muzzle, of the barrel, after which the priming charge was poured into the pan ? all very time consuming! Often the priming charge would burn but fail to ignite the main charge ? whence the expression ?flash in the pan?! The original of this particular flintlock pistol was made in Germany in the 17th Century. This non-firing version is accurately detailed - a great costume or conversation piece. KEY FEATURES: Non-fireable Functional lock mechanism Economical MEASUREMENTS: BARREL LENGTH: 8 1/8? OVERALL LENGTH: 14 3/8? WEIGHT: 9oz
Price: 34.99

Italian 18th Century flintlock pistol - grey finish
This is an Italian flintlock pistol from the 18th century. It was loaded by pouring gunpowder into the barrel, then ramming the ball. The lock created a spark similar to a modern lighter. Replicas made with quality metals and hardwoods (where applicable). Perfect for re-enactments, costumes, theatrical presentations or for collectors.
Price: 34.99



War is the reciprocal and violent application of force between hostile political entities aimed at bringing about a desired political end-state via armed conflict. In his seminal work, On War, Carl Von Clausewitz calls war the "continuation of political intercourse, carried on with other means."[1] War is an interaction in which two or more militaries have a “struggle of wills”.[2] When qualified as a civil war, it is a dispute inherent to a given society, and its nature is in the conflict over modes of governance rather than sovereignty. War is not considered to be the same as mere occupation, murder or genocide because of the reciprocal nature of the violent struggle, and the organized nature of the units involved.

War is also a cultural entity, and its practice is not linked to any single type of political organisation or society. Rather, as discussed by John Keegan in his “History Of Warfare”, war is a universal phenomenon whose form and scope is defined by the society that wages it. [3] The conduct of war extends along a continuum, from the almost universal tribal warfare that began well before recorded human history, to wars between city states, nations, or empires. A group of combatants and their support is called an army on land, a navy at sea, and air force in the air. Wars may be prosecuted simultaneously in one or more different theatres. Within each theatre, there may be one or more consecutive military campaigns. A military campaign includes not only fighting but also intelligence, troop movements, supplies, propaganda, and other components. Continuous conflict is traditionally called a battle, although this terminology is not always fed to conflicts involving aircraft, missiles or bombs alone, in the absence of ground troops or naval forces.

War is not limited to the human species, as ants engage in massive intra-species conflicts which might be termed warfare. It is theorized that other species also engage in similar behavior, although this is not well documented. [4][5][6]



[edit] History of war

Main article: History of war

Some believe war has always been with us; others stress the lack of clear evidence that war is not in our prehistoric past, and the fact that many peaceful, non-military societies have and still do exist.

Originally, war likely consisted of small-scale raiding. Since the rise of the state some 5000 years ago, military activity has occurred over much of the globe. The advent of gunpowder and the acceleration of technological advances led to modern warfare.

Since the close of the Vietnam War, the ideas expounded by the Prussian military theorist Carl von Clausewitz (1780-1831) have come to thoroughly permeate American military writing, doctrinal, theoretical, and historical. His book On War, first published (as Vom Kriege) in 1832, was adopted as a key text at the Naval War College in 1976, the Air War College in 1978, the Army War College in 1981. It has always been central at the U.S. Army's School for Advanced Military Studies at Leavenworth (founded in 1983). The U.S. Marine Corps's brilliant little philosophical field manual FMFM 1: Warfighting (1989) is essentially a distillation of On War, and the newer Marine Corps Doctrinal Publications (MCDPs, c.1997) are equally reflective of Clausewitz's basic concepts.*1

This is not the first time Clausewitz has been in fashion. Indeed, On War has been the bible of many thoughtful soldiers ever since Field Marshal Helmuth von Moltke attributed to its guidance his stunning victories in the wars of German unification (1864, 1866, 1870-71). Nor is it the first time that individual American soldiers and military thinkers have been attracted by his ideas: George Patton, Albert Wedemeyer, and—especially—Dwight Eisenhower were intensely interested in what he had to say.

It is, however, the first time that the American armed forces as institutions have turned to Clausewitz. While the philosopher had insisted that war was "simply the expression of politics by other means," the traditional attitude of American soldiers had been that "politics and strategy are radically and fundamentally things apart. Strategy begins where politics end. All that soldiers ask is that once the policy is settled, strategy and command shall be regarded as being in a sphere apart from politics."*2 The sudden acceptability of Clausewitz in the wake of Vietnam is not difficult to account for, for among the major military theorists only Clausewitz seriously struggled with the sort of dilemma that American military leaders faced in the aftermath of their defeat. Clearly, in what had come to be called in scathing terms a "political war," the political and military components of the American war effort had come unstuck. It ran against the grain of America's military men to criticize elected civilian leaders, but it was just as difficult to take the blame upon themselves. Clausewitz's analysis could not have been more relevant:

The more powerful and inspiring the motives for war,... the more closely will the military aims and the political objects of war coincide, and the more military and less political will war appear to be. On the other hand, the less intense the motives, the less will the military element's natural tendency to violence coincide with political directives. As a result, war will be driven further from its natural course, the political object will be more and more at variance with the aim of ideal war, and the conflict will seem increasingly political in character.*3

When people talk, as they often do, about harmful political influence on the management of war, they are not really saying what they mean. Their quarrel should be with the policy itself, not with its influence.

Vom Kriege (IPA[fɔm ˈkʁiːgə]) is a book on war and military strategy by Prussian general Carl von Clausewitz, written mostly after the Napoleonic wars, between 1816 and 1830, and published posthumously by his wife in 1832. It has been translated into English several times as On War. On War is actually an unfinished work; Clausewitz had set about revising his accumulated manuscripts in 1827, but did not live to finish the task. His wife eventually compiled all the work and the final two chapters Clausewitz never finished.

On War is one of the first books on modern military strategy. This is mainly due to Clausewitz' integration of politics and social and economic issues as some of the most important factors in deciding the outcomes of a war. It is one of the most important treatises on strategy ever written, and is prescribed at various military academies to this day.



[edit] History

Carl von Clausewitz was a Prussian officer among those baffled by how the armies of the French Revolution and Napoleon had changed the nature of war through their ability to motivate the populace and thus unleash war on a greater scale than had previously been the case in Europe. Clausewitz was well educated and had a strong interest in art, science, and education, but he was a professional soldier who spent a considerable part of his life fighting against Napoleon. There is no doubt that the insights he gained from his experiences, combined with a solid grasp of European history, provided much of the raw material for the book. On War represents the compilation of his most cogent observations.

Note: Clausewitz states that Napoleon's tactics were not revolutionary at all and that Napoleonic Warfare did not change anything greatly in military history. The technology of weaponry for the most part remained static, and new strategies weren't developed, but rather Napoleon refurbished old ones, mixing them into one grand strategy.

[edit] Synopsis

The book contains a wealth of historical examples used to illustrate its various concepts. Frederick II of Prussia (the Great) figures prominently for having made very efficient use of the limited forces at his disposal. Napoleon also is a central figure.

Among many strands of thought, three stand out as essential to Clausewitz' concept:

  • War must never be seen as a purpose to itself, but as a means of physically forcing one's will on an opponent ("War is not merely a political act, but also a real political instrument, a continuation of political commerce, a carrying out of the same by other means."[1]).
  • The military objectives in war that support one's political objectives fall into two broad types: "war to achieve limited aims" and war to "disarm” the enemy: “to render [him] politically helpless or militarily impotent."
  • The course of war will tend to favor the party employing more force and resources (a notion extended by Germany's leaders in World War One into "total war"—the pursuit of complete military victory regardless of the political consequences).

Military strategy is a national defence policy implemented by military organisations to pursue desired strategic goals.[1] Derived from the Greek strategos, strategy when it appeared in use during the 18th century[2], was seen in its narrow sense as the "art of the general"[3], 'the art of arrangement' of troops.[4] Military strategy deals with the planning and conduct of campaigns, the movement and disposition of forces, and the deception of the enemy. The father of modern strategic study, Carl von Clausewitz, defined military strategy as "the employment of battles to gain the end of war." Liddell Hart's definition put less emphasis on battles, defining strategy as "the art of distributing and applying military means to fulfil the ends of policy" Hence, both gave the pre-eminence to political aims over military goals, ensuring civilian control of the military.



[edit] Fundamentals

"You must not fight too often with one enemy, or you will teach him all your art of war." Napoleon Bonaparte

Military strategy is the plan and execution of the contest between very large groups of armed adversaries. It involves each opponent's diplomatic, informational, military, and economic resources wielded against the other's resources to gain supremacy or reduce the opponent's will to fight. It is a principle tool to secure the national interest. A contemporary military strategy is developed via military science. [5] It is as old as society itself. It is a subdiscipline of warfare and of foreign policy. In comparison, grand strategy is that strategy of the largest of organizations which are currently the nation state, confederation, or international alliances. Military strategy has its origins before the Battle of the Ten Kings and will endure through the space age. It is larger in perspective than military tactics which is the disposition and maneuver of units on a particular sea or battlefield.[6]

[edit] Background

Military strategy in the 19th century was still viewed as one of a trivium of "arts" or "sciences" that govern the conduct of warfare; the others being tactics, the execution of plans and manœuvering of forces in battle, and logistics, the maintenance of an army. The view had prevailed since the Roman times, and the borderline between strategy and tactics at this time was blurred, and sometimes categorization of a decision is a matter of almost personal opinion. Carnot, during the French Revolutionary Wars thought it simply involved concentration of troops.[7]

The Battle of Siffin, illustration from a 19th century manuscript by Muhammad Rafi Bazil.

Strategy and tactics are closely related and exist on the same continuum.



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