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Renaissance Stiletto Dagger - Hanwei Quality
Our Stiletto replicates a late 17th century piece from a private collection. Designed exclusively as a thrusting weapon, the stiletto was widespread in the period when upper-class civilian dress often incorporated mail or leather body armour. The triangular section 9-1/2 inch blade is complemented by a buffalo horn grip, with the pommel and guard finials in the form of spirally carved pine cones. KEY FEATURES: Authentic replica High-carbon steel pierced blade Excellent for period dress MEASUREMENTS: Blade length: 10 1/4� Handle length: 5 1/2� Overall length: 15 3/4� Weight: 15oz Box height: 18� Box width: 6 1/4� Thickness: .24
Price: 194.99


Hanwei Stiletto Functional Dagger Replica
Our Stiletto replicates a late 17th century piece from a private collection. Designed exclusively as a thrusting weapon, the stiletto was widespread in the period when upper-class civilian dress often incorporated mail or leather body armour. The triangular section 9-1/2 inch blade is complemented by a buffalo horn grip, with the pommel and guard finials in the form of spirally carved pine cones. KEY FEATURES: Authentic replica High-carbon steel blade Sheath included MEASUREMENTS: Blade length: 10 1/2� Handle length: 5� Overall length: 15 3/4� Weight: 9oz Box height: 20 1/2� Box width: 2 1/4� Thickness: .36
Price: 114.99


Scottish Regimental Dirk Dagger by Hanwei
The Regimental Dirk, with its integral knife and fork set, was worn from the mid-19th century onwards. The silver mounted versions were favored by officers of militia regiments and pipe majors, though there were many exceptions to this rule. The grips are of stained wood, carved in the customary basket-weave pattern and surmounted by amber-hued cairngorms. The 11 1/2 inch blades are fileworked in the traditional scalloped pattern. A suspension loop is provided on the leather-covered scabbard. KEY FEATURES: Authentic styling High-carbon steel blade Great dress item MEASUREMENTS: Blade length: 11 1/2� Handle length: 6� Overall length: 17 5/8� Weight: 11oz Box height: 20� Box width: 2 1/4�
Price: 144.99


Damascus Sgian Dubh Hanwei Sword
Our damascus-bladed Sgian Dubh rivals those of the Victorian era in quality. Unlike other modern Sgian Dubhs that are decorative at best and heavily reliant on plastic, ours is both handsome and fully functional, with a high-carbon fileworked damascus blade, full-length tang and basket-weave studded hardwood grip topped by a royal purple crystal. Complemented by a hardwood sheath and embossed fittings, the Sgian Dhub is a piece that any highlander would be proud to carry. KEY FEATURES: Fully functional Hardwood grip and sheath Damascus high-carbon blade MEASUREMENTS: Blade length: 3 1/8� Handle length: 3 3/4� Overall length: 7 1/8� Weight: 4oz Thickness: .150 Enjoy the superb quality and authenticity produced by Hanwei. Sword replicas from Hanwei set the standard in the replica industry.
Price: 91.99


Hand-and-a-half Dagger
Made to match the SR064 Hand-and-a-Half sword, The SR064 Dagger is an ideal accessory and a handsome period piece in its own right.
Price: 89.99


Templar Dagger Replica
The Templar dagger (SR065) matches the Templar sword , and may be used as a companion piece for this sword or as a useful dagger in its own right.
Price: 92.99


Fleur de Lis bronze Sword or Gun Hanger
Fleur de Lis Bronze Finish Sword or Gun Hanger. 3.5" high Spring-loaded to fit various widths. Sold as a pair. KEY FEATURES: Bronze finish Holds gun or sword securely Adjusts to 1 1/2? MEASUREMENTS: PRODUCT HEIGHT: 3 1/2? PRODUCT LENGTH: 1/2? PRODUCT WIDTH: 1 5/8? OVERALL LENGTH: 1 3/4? Depth WEIGHT: 6oz
Price: 9.99


Fleur de Lis Pewter Sword or Gun Hanger
Fleur de Lis Bronze Finish Sword or Gun Hanger. 3.5" high Spring-loaded to fit various widths. Sold as a pair. KEY FEATURES: Bronze finish Holds gun or sword securely Adjusts to 1 1/2? MEASUREMENTS: PRODUCT HEIGHT: 3 1/2? PRODUCT LENGTH: 1/2? PRODUCT WIDTH: 1 5/8? OVERALL LENGTH: 1 3/4? Depth WEIGHT: 6oz
Price: 8.99


Sword Holder for Sword wtih Scabbard
This two-piece wall mount is used to display swords vertically in their scabbards. The top ring fits around the top of the scabbard, under the swords guard, while the tip of the scabbardfits inside the bottom ring. The distance between the two rings is determined by the length of the sword. KEY FEATURES: Nickel finish Holds sword securely Unobtrusive design MEASUREMENTS: PRODUCT HEIGHT: 2 3/4? PRODUCT LENGTH: 2 3/4? PRODUCT WIDTH: 1 1/4? WEIGHT: 3oz SOLD AS A PAIR
Price: 9.99


Sword Hanger, Nickel
This two-piece wall mount is used to display swords vertically, either in or out of their scabbards. The top ring fits around the top of the scabbard or the blade, under the swords guard, while the tip of the scabbard or the blade fits inside the bottom ring. The distance between the two rings is determined by the length of the sword. KEY FEATURES: Nickel finish Holds sword securely Unobtrusive design MEASUREMENTS: PRODUCT HEIGHT: 2 3/4? PRODUCT LENGTH: 2 3/4? PRODUCT WIDTH: 1 1/4? WEIGHT: 3oz SOLD AS A PAIR
Price: 8.99


Samurai Gun or Sword Hanger
Samurai Gun or Sword Hanger, 2.75" high. Bronze finish. This hanger is spring loaded to fit various sword and gun sizes. Sold as a pair. KEY FEATURES: Bronze finish Holds sword or gun securely Adjusts up to 1 1/2? MEASUREMENTS: PRODUCT HEIGHT: 7? PRODUCT LENGTH: 2 3/4? PRODUCT WIDTH: 2? WEIGHT: 2oz
Price: 10.29


Samurai Gun or Sword Hanger Nickel Finish
Samurai Gun or Sword Hanger, 2.75" high. Nickel finish. This hanger is spring loaded to fit various sword and gun sizes. Sold as a pair. KEY FEATURES: Bronze finish Holds sword or gun securely Adjusts up to 1 1/2? MEASUREMENTS: PRODUCT HEIGHT: 7? PRODUCT LENGTH: 2 3/4? PRODUCT WIDTH: 2? WEIGHT: 2oz
Price: 10.29


Gun or Sword Hanger - Heraldic Crest
Beautifully crafted spring loaded wall mount, great for swords or gun replicas.
Price: 9.49


Deluxe Wood Pistol Display Box
Deluxe Wood Pistol Display Box. Hand made in Poland with deluxe walnut finish and hinged top. Ideal for displaying pistols/daggers up to 11.25" in length. Contents shown are not included.
Price: 29.99


Presentation and Display Box
Hand made in Poland with deluxe walnut finish and hinged top. Ideal for displaying pistols/daggers up to 13.75" in length. Contents shown are not included.
Price: 39.99


Glass Top Box 9 x 14 x 3
These displays are ideal for most hand guns. They are made of black American walnut with a satin laquer finish. Guns up to 1-3/4" thick are placed on the velveteen-covered foam pllow insert, then the lid is closed, guns are held in place
Price: 79.99


Glass Top Box 13 x 18 x 02
This display is ideal for most knives, small daggers and collectibles up to 1" thick. They are made of black American walnut with a satin laquer finish. Items up to 1" thick are placed on the velveteen-covered foam pllow insert, then the lid is closed, it
Price: 89.99


Badge Display Case
Shelf or Wall Mount. Will hold up to 12 badges! Badges are not included. This display case makes a great den or office accent piece.
Price: 24.99


 

War

War is the reciprocal and violent application of force between hostile political entities aimed at bringing about a desired political end-state via armed conflict. In his seminal work, On War, Carl Von Clausewitz calls war the "continuation of political intercourse, carried on with other means."[1] War is an interaction in which two or more militaries have a “struggle of wills”.[2] When qualified as a civil war, it is a dispute inherent to a given society, and its nature is in the conflict over modes of governance rather than sovereignty. War is not considered to be the same as mere occupation, murder or genocide because of the reciprocal nature of the violent struggle, and the organized nature of the units involved.

War is also a cultural entity, and its practice is not linked to any single type of political organisation or society. Rather, as discussed by John Keegan in his “History Of Warfare”, war is a universal phenomenon whose form and scope is defined by the society that wages it. [3] The conduct of war extends along a continuum, from the almost universal tribal warfare that began well before recorded human history, to wars between city states, nations, or empires. A group of combatants and their support is called an army on land, a navy at sea, and air force in the air. Wars may be prosecuted simultaneously in one or more different theatres. Within each theatre, there may be one or more consecutive military campaigns. A military campaign includes not only fighting but also intelligence, troop movements, supplies, propaganda, and other components. Continuous conflict is traditionally called a battle, although this terminology is not always fed to conflicts involving aircraft, missiles or bombs alone, in the absence of ground troops or naval forces.

War is not limited to the human species, as ants engage in massive intra-species conflicts which might be termed warfare. It is theorized that other species also engage in similar behavior, although this is not well documented. [4][5][6]

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[edit] History of war

Main article: History of war

Some believe war has always been with us; others stress the lack of clear evidence that war is not in our prehistoric past, and the fact that many peaceful, non-military societies have and still do exist.


Originally, war likely consisted of small-scale raiding. Since the rise of the state some 5000 years ago, military activity has occurred over much of the globe. The advent of gunpowder and the acceleration of technological advances led to modern warfare.

Since the close of the Vietnam War, the ideas expounded by the Prussian military theorist Carl von Clausewitz (1780-1831) have come to thoroughly permeate American military writing, doctrinal, theoretical, and historical. His book On War, first published (as Vom Kriege) in 1832, was adopted as a key text at the Naval War College in 1976, the Air War College in 1978, the Army War College in 1981. It has always been central at the U.S. Army's School for Advanced Military Studies at Leavenworth (founded in 1983). The U.S. Marine Corps's brilliant little philosophical field manual FMFM 1: Warfighting (1989) is essentially a distillation of On War, and the newer Marine Corps Doctrinal Publications (MCDPs, c.1997) are equally reflective of Clausewitz's basic concepts.*1

This is not the first time Clausewitz has been in fashion. Indeed, On War has been the bible of many thoughtful soldiers ever since Field Marshal Helmuth von Moltke attributed to its guidance his stunning victories in the wars of German unification (1864, 1866, 1870-71). Nor is it the first time that individual American soldiers and military thinkers have been attracted by his ideas: George Patton, Albert Wedemeyer, and—especially—Dwight Eisenhower were intensely interested in what he had to say.

It is, however, the first time that the American armed forces as institutions have turned to Clausewitz. While the philosopher had insisted that war was "simply the expression of politics by other means," the traditional attitude of American soldiers had been that "politics and strategy are radically and fundamentally things apart. Strategy begins where politics end. All that soldiers ask is that once the policy is settled, strategy and command shall be regarded as being in a sphere apart from politics."*2 The sudden acceptability of Clausewitz in the wake of Vietnam is not difficult to account for, for among the major military theorists only Clausewitz seriously struggled with the sort of dilemma that American military leaders faced in the aftermath of their defeat. Clearly, in what had come to be called in scathing terms a "political war," the political and military components of the American war effort had come unstuck. It ran against the grain of America's military men to criticize elected civilian leaders, but it was just as difficult to take the blame upon themselves. Clausewitz's analysis could not have been more relevant:

The more powerful and inspiring the motives for war,... the more closely will the military aims and the political objects of war coincide, and the more military and less political will war appear to be. On the other hand, the less intense the motives, the less will the military element's natural tendency to violence coincide with political directives. As a result, war will be driven further from its natural course, the political object will be more and more at variance with the aim of ideal war, and the conflict will seem increasingly political in character.*3

When people talk, as they often do, about harmful political influence on the management of war, they are not really saying what they mean. Their quarrel should be with the policy itself, not with its influence.

Vom Kriege (IPA[fɔm ˈkʁiːgə]) is a book on war and military strategy by Prussian general Carl von Clausewitz, written mostly after the Napoleonic wars, between 1816 and 1830, and published posthumously by his wife in 1832. It has been translated into English several times as On War. On War is actually an unfinished work; Clausewitz had set about revising his accumulated manuscripts in 1827, but did not live to finish the task. His wife eventually compiled all the work and the final two chapters Clausewitz never finished.

On War is one of the first books on modern military strategy. This is mainly due to Clausewitz' integration of politics and social and economic issues as some of the most important factors in deciding the outcomes of a war. It is one of the most important treatises on strategy ever written, and is prescribed at various military academies to this day.

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[edit] History

Carl von Clausewitz was a Prussian officer among those baffled by how the armies of the French Revolution and Napoleon had changed the nature of war through their ability to motivate the populace and thus unleash war on a greater scale than had previously been the case in Europe. Clausewitz was well educated and had a strong interest in art, science, and education, but he was a professional soldier who spent a considerable part of his life fighting against Napoleon. There is no doubt that the insights he gained from his experiences, combined with a solid grasp of European history, provided much of the raw material for the book. On War represents the compilation of his most cogent observations.

Note: Clausewitz states that Napoleon's tactics were not revolutionary at all and that Napoleonic Warfare did not change anything greatly in military history. The technology of weaponry for the most part remained static, and new strategies weren't developed, but rather Napoleon refurbished old ones, mixing them into one grand strategy.

[edit] Synopsis

The book contains a wealth of historical examples used to illustrate its various concepts. Frederick II of Prussia (the Great) figures prominently for having made very efficient use of the limited forces at his disposal. Napoleon also is a central figure.

Among many strands of thought, three stand out as essential to Clausewitz' concept:

  • War must never be seen as a purpose to itself, but as a means of physically forcing one's will on an opponent ("War is not merely a political act, but also a real political instrument, a continuation of political commerce, a carrying out of the same by other means."[1]).
  • The military objectives in war that support one's political objectives fall into two broad types: "war to achieve limited aims" and war to "disarm” the enemy: “to render [him] politically helpless or militarily impotent."
  • The course of war will tend to favor the party employing more force and resources (a notion extended by Germany's leaders in World War One into "total war"—the pursuit of complete military victory regardless of the political consequences).

Military strategy is a national defence policy implemented by military organisations to pursue desired strategic goals.[1] Derived from the Greek strategos, strategy when it appeared in use during the 18th century[2], was seen in its narrow sense as the "art of the general"[3], 'the art of arrangement' of troops.[4] Military strategy deals with the planning and conduct of campaigns, the movement and disposition of forces, and the deception of the enemy. The father of modern strategic study, Carl von Clausewitz, defined military strategy as "the employment of battles to gain the end of war." Liddell Hart's definition put less emphasis on battles, defining strategy as "the art of distributing and applying military means to fulfil the ends of policy" Hence, both gave the pre-eminence to political aims over military goals, ensuring civilian control of the military.

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[edit] Fundamentals

"You must not fight too often with one enemy, or you will teach him all your art of war." Napoleon Bonaparte

Military strategy is the plan and execution of the contest between very large groups of armed adversaries. It involves each opponent's diplomatic, informational, military, and economic resources wielded against the other's resources to gain supremacy or reduce the opponent's will to fight. It is a principle tool to secure the national interest. A contemporary military strategy is developed via military science. [5] It is as old as society itself. It is a subdiscipline of warfare and of foreign policy. In comparison, grand strategy is that strategy of the largest of organizations which are currently the nation state, confederation, or international alliances. Military strategy has its origins before the Battle of the Ten Kings and will endure through the space age. It is larger in perspective than military tactics which is the disposition and maneuver of units on a particular sea or battlefield.[6]

[edit] Background

Military strategy in the 19th century was still viewed as one of a trivium of "arts" or "sciences" that govern the conduct of warfare; the others being tactics, the execution of plans and manœuvering of forces in battle, and logistics, the maintenance of an army. The view had prevailed since the Roman times, and the borderline between strategy and tactics at this time was blurred, and sometimes categorization of a decision is a matter of almost personal opinion. Carnot, during the French Revolutionary Wars thought it simply involved concentration of troops.[7]

The Battle of Siffin, illustration from a 19th century manuscript by Muhammad Rafi Bazil.

Strategy and tactics are closely related and exist on the same continuum.

 

 

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